Saturday, August 9, 2014

Umberto Boccioni

Boccioni - a Genius

Recognize this?


I now realize that years ago I watched Power RAngers with my young son, and guess what? The transformers (see below) looked a bit like Boccioni sculptures? He was way ahead of his time and a genius in my eyes...







Hans Arp

Hans Arp


Arp told the story of how, when he was notified to report to the German consulate, he avoided being drafted into the German Army: he took the paperwork he had been given and, in the first blank, wrote the date. He then wrote the date in every other space as well, then drew a line beneath them and carefully added them up.

 He then took off all his clothes and went to hand in his paperwork.


Monday, July 28, 2014

Adolph Gottlieb, Mark Rothko and Barnett Newman

Letter to Editor New York Times 1943

1. To us art is an adventure into an unknown world, which can be explored only by those willing to take the risk.

2. This world of imagination is fancy free and violently opposed to common sense.

3. It is our function as artists to make the spectator see our way, not his way.

4. We favour the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal.

Saturday, May 24, 2014

Maria Blanchard

Maria Blanchard (1881 - 1932)


"Jeune fille lisant"

Maria Blanchard was born horribly disfigured from a fall that her mother took while she was pregnant. Her disfigurements included enanismo, which is like dwarfism, a hump on her back, much like a polio victim would have and cojera, which is a deformity in the hips, making walking very difficult. She was often referred to as "the witch". This led her to live a life of solitude. However, this did not stop Maria from becoming a great artist.


"Enfant aux pâtisseries" 1924


"Fillette endormie" 1925

Maria Gutierrez Blanchard was the first-born child of Conception Blanchard and Enrique Gutierrez. She was born in March of 1881, in Santander, Spain. In 1903, Maria moved to Madrid so she could study to become a painter. Her teachers included Fernando Alvarez de Sotomayor, Manuel Benedito andEmelio Sala.

In 1909, Maria's hard work and training won her a grant to continue her studies in Paris, at the Academy Vitti (Academie Vitti), where she studied under Hermengildo Anglada Camarasa, and Kees Van Dongen. While at the Academy, Kees taught her how to break out of the constraints on her artwork that she was taught while studying in Spain. It was during this time that she was introduced to Cubism, after meeting artists such as, Jacques Lipchitz and Juan Gris. These two artists greatly influenced much of Maria's future works.


"Maternité"

In 1910, while in Paris, Maria received a medal in the National Exhibition of Beautiful Arts. She took second prize for her work titled "Nymphs Chaining to Sileno".

Maria returned to Madrid in 1914, where she would participate in an art exhibition called Pintores Integros. The exhibition was organized by Ramone Gomez de la Serna, a Spanish writer, and featured artwork from Jacques Lipchitz, Juan Gris, and Diego Rivera.

From 1914 to 1916, Maria taught drawing to select students in Salamanca. In the later part of 1916, she returned to Paris and began painting in the Cubist style with works such as "Woman with Fan" and "Woman with Guitar". With these two paintings, she fully embraced the methods of Cubism, using flat interlocking shapes. It is said that you could see the influence of Juan Gris and Jacques Lipchitz in these paintings.


"Repas"


"Still life with bananas" 1920

In 1920, Maria began to paint in a more traditional style. Her colors were more poetic and the characters in her paintings reflected the sadness and melancholy feelings that Maria felt in her own life.

In 1921, Maria achieved success with her painting titled "The Communicant", which was displayed at the Salon des Independants in Paris. She began to sell many of her artworks after this showing. But Maria's bad luck caused her to lose the support of many of her patrons due to the financial hardships of that time.

Frank Flausch came to Maria's aid by paying her a monthly contract. This aid lasted until 1926, when Flausch died.


"Jeune Fille à la Fenêtre Ouverte" 1924


"L'Enfant au Bracelet" 1922-23


"L'Enfant à la glace" 1925

Maria's health began to deteriorate from tuberculosis and the stress of day to day life, and Maria's sister Carmen and her children came to live with her. In spite of all of these challenges, Maria continued to paint, selling her paintings to the director of the Valvin Gallery in Paris, Max Berger. She also had several private patrons. This helped solve Maria's financial problems but not her health problems.


"Mujer sentada" 1928


"Le déjeuner"


"Le déjeuner" 1919


(detail)


Maria sought help for her deteriorating health in religion. It is said that she even considered entering into a convent but was persuaded not to by the leaders of the convent.

During the last few years of her life, Maria once again experienced financial problems since she had to create more paintings to sell to patrons that would help her pay for her sister and her nephews. This caused Maria's health to rapidly deteriorate until she died in April of 1932. (via)


"La convalescente"


"Jeune fille à la robe blanche"


"Mujer con abanico" 1916


"Mujer ante el espejo"


"La tasse de chocolat"


"L'Enfant au chapeau" 1925
http://www.artinconnu.com/2011/01/maria-blanchard-1881-1932.html

Tuesday, May 20, 2014

Gerhard Richter

Gerhard Richter




Gerhard Richter is a German visual artist. Born in 1932, he 1947 he attended 

night classes to study art, and worked as a sign writer in 1949. In 1950 he 

decides to become a professional artist and in 1956 he had enough 

commissions to be financially independent. He mainly painted murals, and 

was impressed by the painters 

Jackson Pollock 





and Lucio Fontana.





In 1962 he made his first photo paintings. Richter first began exhibiting in Düsseldorf in 1963. In 1966 he paints his first colour charts.  

Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style.
In October 2012, Richter's Abstraktes Bild set an auction record price for a painting by a living artist at £21m ($34m).[4] This was exceeded in May 2013 when his 1968 piece Domplatz, Mailand (Cathedral square, Milan) was sold for $37.1 million (£24.4 million) in New York.[5]

His journey was not an easy one but at the age of 82 he is still enjoying and producing art.

Tuesday, February 25, 2014

Georgina Ormiston - a short but brilliant career

  • Georgina Ormiston's artistic career was tragically short. She exhibited for the first time in 1958, but by 1967 was dead, having painted less than one hundred works.


  • 1962 saw her paint some of her finest work; Ritual Dance, which hangs in the Pretoria Art Museum, andExtra-terrestrial Vision, which hangs in the Rupert Collection, are perfect examples of her mature style of this year and eloquently show the intensity of her Abstract Expressionism.

    By 1963 Ormiston was reaching the end of her sad and strange artistic career, and encroaching illness made continuation impossible.

    BIBLIOGRAPHY:
    H. Martienssen, 'Georgina Ormiston', in Our Art III, (Pretoria, 1978)

Monday, February 24, 2014

Robert Motherwell


Biography
The American painter and printmaker Robert Motherwell was part of the New York School of Abstract Expressionism, which also encompassed a range of other artists including Mark Rothko (1903-70), Barnett Newman (1905-70),Philip Guston (1913-80) and Willem de Kooning (1904-97). Stylistically Motherwell was highly changeable, and explored several different modern art movements, including Cubism, Collage, Primitivism, Surrealism and Minimalism. Although attracted to abstract art from the beginning, his work contains traces of figuration, as well as an intellectual narrative inspired by history, philosophy and personal biography. Motherwell began by studying philosophy at Harvard before taking up painting. Unlike the shy Rothko, Motherwell was highly   communicative: in addition to a prolific painting career he also wrote essays and books which discussed non-objective art. Switching from oil toacrylic painting in the 1960s, he often painted large areas of canvas in his distinctive blue or black. His long-running series of abstract paintings, entitledElegy to the Spanish Republic are considered to be his most important work, although he is also noted for his collage art and prints. He is regarded as one of the finest narrator-type abstract painters, and one of the great modern artists of the American school

credit wikipedia.org/